Eduardo Rivadavia (aka Ed Rivadavia) was born in São Paulo, Brazil, and by his late teens had already toured the world (and elsewhere), learning four languages on three continents. Having also accepted the holy gospel of rock & roll as his lord and savior, Eduardo became infatuated with the New Wave of British Heavy Metal and all things heavy, crude, and obnoxious while living in Milan, Italy, during the mid-1980s. At this time, he also made his journalistic debut as sole writer, editor, publisher, and, some would claim, reader of his high school's heavy metal fanzine, earning the scorn of jocks and nerds alike, but uniting the small hardcore music-loving contingent into a frenzied mob that spent countless hours exchanging tapes, talking shop, and getting beat up at concerts. Upon returning home to Brazil, Eduardo resumed a semi-normal existence, sporadically contributing music articles to local papers and magazines while earning his business degree. Finally, after years of obsessive musical fandom and at peace with his distinct lack of musical talent, Eduardo decided the time had come to infiltrate the music industry by the fire escape. He quit his boring corporate job, relocated to America, earned his master's degree while suffering the iniquities of interning for free (anything for rock & roll!), and eventually began working for various record labels, accumulating mountains of records and (seemingly) useless rock trivia in the process. This eventually led him back to writing, and he has regularly contributed articles to multiple websites since 1999, working with many different rock genres but specializing, as always, in his personal hobby: hard rock and heavy metal. To quote from the insightful 'This Is Spinal Tap': "People should be jealous of me...I'm jealous of me...." Eduardo currently resides in Austin, TX, with his wife, two daughters, and far more records, CDs and MP3s than he'll ever have time to listen to.
The 11 Heaviest Hair Metal Songs
Not all bands lumped into the 'hair metal' category were cranking out ballads.
When Twisted Sister Took Their Last Shot With ‘Love Is for Suckers’
'Love Is for Suckers' was supposed to be a solo album for Dee Snider. Instead, it broke up the band.
Rock’s Most Dysfunctional Bands
Rock bands are a lot like families and, just like any family, they can be very dysfunctional.
40 Years Ago: AC/DC Release Their First Masterpiece, ‘Let There Be Rock’
It might be difficult to wrap your head around this concept, but AC/DC's rise to global stardom was both deliberate and challenging.
Revisiting AC/DC’s First No. 1 LP, ‘For Those About to Rock’
On Nov. 23, 1981, AC/DC were on their way to finally reaching the music industry's proverbial top of the mountain when For Those About to Rock We Salute You was released.
Revisiting Ozzy Osbourne’s Controversial Second Solo LP, ‘Diary of a Madman’
Let's begin with the question of who exactly played on this sophomore release.
Why Black Sabbath Struggled So Much on Their Second Ronnie James Dio LP
Fan excitement was high, and understandably so, when Black Sabbath unveiled their 10th album.
When Billy Idol Updated His Sound on ‘Whiplash Smile’
When this third album arrived, he ranked among the world's most successful and recognizable rock stars.
40 Years Ago: Triumph Release Their Debut Album
If you were to ask most Triumph fans living in the pre-internet era to name the Canadian power trio's debut album, they'd probably tell you it was 1978's Rock & Roll Machine. They'd be wrong ...
How Black Sabbath Tried but Failed to Achieve ‘Technical Ecstasy’
Their seminal '70s discography is generally demarcated by what came before and after this seventh studio album.